Grünewald, digital art, doubt and Mozart.

April 23, 2013 — Leave a comment

I just finished the production on my very first digital ”sermon-aid”. Consequently, I would categorise it as a proto-type. The sermon itself is a proto-kerygma (first-sermon), and not included here. Having never delivered a ”proper” sermon,  the most challenging aspect  for me, was delivering it.

The basic premise is:

Labels hinder our understanding of each other. This is because they bind us to the opinion others have of us. The popular term ”doubting Thomas” is a label which hinders our theological understanding of doubt and Jesus the Christ (John 20). Therefore all labels must be critiqued or rejected. The biblical standard is clear ‘you are more than what has been defined for you by society’ (James Cone, 1975 ‘God of the oppressed’)

Artistic process: Matthias Grünewald’s ‘crucifixion’, a lot of my own digital art and dies irae (day of wrath – Mozart)
Song: Requiem in D Minor, K. 626 (compl. by Franz Xaver Süssmayer): Dies Irae
Composer: Wolfgang Amadeus Mozart Artist:Konzertvereinigung Wiener Staatsopernchor, Sir Georg Solti & Wiener Philharmoniker
Album:
Mozart: Requiem

Available @:
iTunes or amazon.

No Comments

Be the first to start the conversation!

Comments:

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.