In his biography of St. Francis of Assisi, G.K.Chesterton refers to something he calls a ”Red Halo”. He does this twice in the book. (Link)
Each time the phrase is found in reference to Francis of Assisi. The first occurrence is when some town folk rush to put out a fire where Assisi was praying with Clare of Assisi, only to find, not a fire, but him collapsed and a Red Halo surrounding them. The second is when the younger Assisi is held captive in a dungeon after gearing up as a citizen soldier to fight in a skirmish with a warring neighbour. Evidently, their squad was captured.
‘Something very vast and universal was already present in that narrow dungeon; and such a seer might have seen in its darkness that red halo of caritas caritatum which marks one saint among saints as well as among men.’ [i]
The once-an-atheist, Chesterton wasn’t to my knowledge, and wide reading of his work, into, nor was he an advocate of mysticism. So it’s fair to say that “Red Halo’’ is for intent and purposes a metaphor used to emphasise what he sees as being a strange alien quality to Assisi; something to suggest that Assisi was grasped by something, or rather, someone not of this world.
This week’s instrumental is inspired by that phrase.
‘If a man may well doubt whether he is worthy to write a word about St. Francis, he will certainly want words better than his own to speak of the friendship of St. Francis and St.Clare. I have often remarked that the mysteries of this story are best expressed symbolically in certain silent attitudes and actions. And I know no better symbol than that found by the felicity of popular legend, which says that one night the people of Assisi thought the trees and the holy house were on fire, and rushed up to extinguish the conflagration. But they found all quiet within, where St. Francis broke bread with St. Clare at one of their rare meetings, and talked of the love of God. It would be hard to find a more imaginative image, for some sort of utterly pure and disembodied passion, than that red halo round the unconscious figures on the hill; a flame feeding on nothing and setting the very air on fire.’ [ii]
As for the creative process, my primary goal was to use a riff I had come up with on a tablet. That didn’t work out as well as I’d hoped and as a result, the tune changed into what you hear in the YouTube video. The focus of the melody is the piano. The lead guitar was down in two parts. My idea here was to use it as a filler. The bass is both guitar and keys running through an FX. I also had not intended on the harmony in the background. When I fiddled with the second lot of keys in the effects on audacity the second set turned out as it is in the recording. Slightly eerie, but intensely cool, given the subject matter. As with all things I’m doing here, I’m learning a lot each time and having fun doing it.
As with all of my music, because I am only using free mixing software at the moment, all are best heard through decent speakers or headphones. I’ve found that some headphones cut out the base and others swing the sound to mono.
[i] Chesterton, G.K. 1923 Saint Francis of Assisi, Henderickson Classics
[ii] ibid, 1923
Music & Art are my own.