Machen. J.G. 1923 Christianity & Liberalism
Murrell, B. 2006 The Sun Sword Trilogy: Quest for the Sun Gem, Random House (p.207)
Sin Shake Sin , 2015 Lunatics & Slaves from the Lunatics & Slaves
As the great 19th Century preacher, Charles Spurgeon wrote, ‘Life is a conflict, & thou needest battle music’ [i]. In addition to this, I recently came across a fitting quote from John Calvin in his commentary on Exodus:
So, with these words in mind, here’s the top November additions to my high rotation, “A-List” on Spotify.
Zac Williams is more country-rock than cliché CCM. That’s why ‘Song of Deliverance’ stands out. I haven’t had the chance to listen closer to Zac’s other work, but if that reflects the huge effort found here, then it’s worth a closer look. The lyrical content alone, pushes this song above and beyond any mainstream contemporary country. I’m fond of the ‘Chain Breaker’ theme, the slide guitar and the careful placement of the harmonica.
“Get behind me satan; no more fear and no more shame; My debts been paid I am no longer your slave” – Amen..
As I strongly implied in October’s A-list, outside Lacey Sturm and Toby Mac, Need to Breathe take the standard for Christians in the music industry higher. I’m still listening to ‘Hard Love’ and consider tracks 2,3,7,9,10,11,12. on the album to be some of the best work I’ve heard from a band born in the wilds of the Christian Contemporary Music scene. ‘Great Night’ is a fun song. It has a great riff, has a beat that would pass off as electronic; rides a solid melody and sits on the back of guitar work (that in my biased opinion) makes listening to this like watching a fireworks spectacular. There’s not much more to it than that.
Bellarive were a surprise find. There’s something unique in the mix and it’s the uniqueness that gives me reason to add it to the November A-List. I’ve listened to some of their other work, but consider ‘Lazarus’ to be their best. In all fairness, I haven’t had the time to give them the full attention they deserve. The list of qualities in ‘Lazarus’ hinge on its dynamics. Starting with the piano, rising with the lyrics and finishing with the full rock compliment, the song is carried to it’s quiet conclusion with precision. I’m a fan of the video work. What really wins me, though, is the depth of theology at work in the simplicity of the song. I hear myself praying the words and only wish I had room to link all of them.
“So, take a breath and break the night
Stranger to the Light
Wind of God, dig up the graves
And breathe into the slain”
Sin Shake Sin drive thoughtfulness. The whole album exploits this artistic edge with pointed lyrics matched by a catchy melody. They aren’t from the CCM scene and I doubt that they’d share the same perspective as many who are. Sin Shake Sin is a band that I’d expect to hear playing as a musical bed for TV shows like Chuck or Suits. There’s a crisp coolness to the blunt challenge in each song that, lyrically anyway, reminds me of Guns n’ Roses. ‘Lunatics & Slaves’ showcases what this band is about and what this band is capable of.
Surprisingly, some of the best music of recent years comes from the video game and TV/movie soundtrack scene. Assassins Creed, Halo and Skyrim stand out as quintessential examples of this. ‘Ezio’s Theme’ or ‘Past to Present‘ have engraved a standard that is tough to beat. ‘Heroes’ meets this. The song has a strong presence. Like Lazarus, the real strength of ‘Heroes’ is in its dynamics. From quiet to loud; verse to chorus each line is complimented with inspiring lyrics that follow a clear theme. In addition, the cinematic soundtrack feel that echoes a Hans Zimmer, Steve Jablonsky-esk orchestra and electronic baritone minor adds some real weight.
[i] Spurgeon, C.H. 1883, Flowers From a Puritan’s Garden
[ii] Calvin. J Commentary on Exodus
Note: Thoughts expressed here are my own. I did not receive payment of any kind to review or post these songs.