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Review: Fundamental Rights in the Age of COVID-19

February 1, 2021 — Leave a comment

Connor Court Publishing’s Fundamental Rights in the Age of Covid-19, edited by Augusto Zimmermann and Joshua Forrester, is a formal Classical Liberal rebuke of totalitarian anti-COVID-19 prohibitions.

Its chief criticism is against the blatant absence of any steadfast verbal or visual confirmation (from most of our elected representatives) affirming a desire for the dogged preservation of civil liberties. Reassurances which should have gone hand-in-hand with most daily briefings about Government initiatives aimed at protecting citizens from the COVID-19 Wuhan Virus, but didn’t.

This lack of passion for the conservation of civil liberties (even from so-called Conservatives or Christians in government) justifies the kind of necessary criticisms found in Fundamental Rights in the Age of COVID-19. One such being the danger of despotic Government’s undermining constitutional law, and placing citizens at risk of Governmental abuses of power by politicians arbitrarily granting themselves the right to act outside the Constitution.

The protection of civil liberties is a debate worth having.

Zimmermann & Forrester’s readable compendium achieves this and more.

Beginning with Rex Adhar’s cost to benefit analysis of lockdowns balancing the economic argument with the medical. His charge that elected representatives have ‘abdicated political decision-making to scientists’ is evidenced by ‘rushed COVID-19 laws’ was pointed. The bottom line is that the disproportionate responses to COVID-19 are likely to create greater casualties than the virus itself.

James Allan rightly states that many of the people advocating for lockdowns weren’t affected by them; and that ‘one of the effects’ of following the Communist Chinese Party’s lockdown fanaticism, was the ‘turning of law enforcement in an arm of the nanny state’ (p.43).

Noting in contrast to many Western nations adopting the CCP’s dehumanising Communist meat-grinder, that Taiwan (p.43) and Sweden’s response worked, and they ‘didn’t drive a truck through civil liberties’ (p.46 & 47) in order to do so. All for a virus ‘nowhere near The Spanish Flu’ in terms of ‘lethality and seriousness.’ (p.44).

As Morgan Begg argues, the virus has been exploited by bureaucrats, with ‘many of the isolation and social distancing rules going beyond what should be required under the guidelines’ (p.69). The ‘disproportionate response’ exposes citizens to ‘structural flaws in [COVID] legislation’ (p. 74) that allows governments (particularly Victorian Premier Daniel Andrews) to rule via emergency powers without accountability.

David Flint’s essay in chapter 5 is on par with Adhar’s ‘abdication’ argument. Governments let [helpful, but also unreliable] computer modelling rule the day (p.83). [i]

Another highlight is Anthony Gray’s distinction between whether a law is ‘prohibitive’ of foundational rights (Constitution) or ‘protecting’ those foundational rights, applied when testing laws against the constitution. For Gray Western Australia’s border closure offends Section 92 of the Australian Constitution.

Expanding a little bit in this direction, Polish contributors, Kudla and Blicharz see the marginalisation of Christians, and Churches as “non-essential” being the result of bureaucrats exploiting COVID-19, as well as ‘the collision of two fundamental rights: the right to practice one’s religion and the right to protect one’s life’ (p.144).

While condemning the marginalising of Christians under COVID-19 “protections” the authors contrasted Poland’s Church and State cooperative approach with the dehumanising, “non-essential” quota applied to the Church by most Western nations (p.159).

In other words, while Pastors and Christians were told that 2,000 years of care and charitable service was “not essential”, Polish (and even Italian) authorities recognised that Pastoral Care is an essential service.

While there are some overlaps, Zimmermann and Forrester’s careful ordering of well referenced essays creates an interwoven text. It all flows in an engaging, consistent and logical direction.

Rocco Loiacono’s criticisms of mandatory COVID-19 vaccinations, and Government overreach, pivot on the principle of the ‘informed consent’ of the governed. For him 2020 saw the rise of ‘elected dictatorships…aided and abetted by a now all-powerful health bureaucracy’ that tends to ignore ‘frontline medical advice, preferring instead to hide behind [a] cadre of unelected bureaucrats, and state of emergency’ powers (pp.165 & 171).

The chapter is punchy, includes Big Tech’s ban on Doctors like Simone Gold, advocates for HCQ, and concludes with an appeal against rapid rollouts, when herd immunity still can’t be ruled out, with reference to the ‘horrible effects of thalidomide, a sedative given to pregnant women in the 1950’s and 1960’ precedent: ‘just because we are assured something is safe, or legal, it doesn’t necessarily mean it is’ (p.180).

Closing out the book, Gabriel Moens, with whom Jacques Ellul would agree (see Technological Society & Propaganda), talks about Government’s manipulative use of behavioural science (Obama in particular p.192), remarking that Government ‘intervention should be a last resort, not a reflex instinct’ (p.193). [ii]

The well-read, and prolific, Bill Muehlenberg presents a theological ‘petition, flight, and as a last resort, fight’ push back against the surrender of religious freedoms to what is essentially leftist Gnosticism (and exceptionalism).

Understood as such through Thomas Sowell’s description of ‘the exaltation of the anointed above others’ (p.220) – and I’d add Eric Voegelin’s ‘Science, Politics and Gnosticism’. The (conservative) sinner saved by grace ridiculed by the Übermensch “victim” class: sinless (leftists) saved by special knowledge.        

As was witnessed in Michigan (Gov. Gretchen Esther Whitmer, U.S) and Victoria (Premier Daniel Andrews, Aust.) when these Leftist bureaucrats approved fiats granting Leftists the right of protest, while denying other community groups that same right; often through police intimidation, encouraging neighbour to denounce neighbour, arbitrary arrest, and cost prohibitive fines.

Recall how Black Lives Matter, and anti-Australia “Invasion Day” protests went unopposed, but anti-lockdown protesters and unity preaching patriots were dehumanised as “Grandmother killers”, banned, blocked or defamed by celebrities and the legacy media as selfish deplorables.

While good, Monika Nagel’s defence of civil liberties (Chpt.11) through Maslow’s Hierarchy of Needs, the good and bad of Globalisation, and the purpose of fundamental rights, was unanchored; too existential. It lacked transcendent; concrete, objective ground.

The only protection of fundamental rights comes from the commanded order as revealed by God through His self-revealing in time and space, through Covenant and Christ: God gives us those rights, good government recognises, and protects those rights. It doesn’t make themselves the source of them or the determiners of good and evil.

As has been said, man over-Lord is man overboard. Anything else displaces the Logos from His rightful place, positioning man-made power structures to rule, tyrannically, instead.

Further along, Johnny Sakr’s use of Luis de Molina’s theological argument in respect to the relationship between Divine Sovereignty and creaturely freedom, seems overly verbose.

Though, Sakr’s end point linking up Molina’s theory with a “where is God in all this” question is well worth the effort. From God’s freedom, comes our freedom, and all the responsibility it infers.

Navigating both fatalism and open theism, Molina’s description of God’s Providential activity in the life of humanity as ‘strong actualisation and weak actualisation’ can also be read as Calvin’s distinction between ‘God doing and God allowing”, Karl Barth’s ‘God’s free, Divine Lordship and the invitation for participation given to His Creature as Covenant partners.’

As I have come to express it:

Not all suffering comes from God, but God works through all suffering. Those in Christ are not free from suffering, but are free in their suffering.

Steven Samson’s appeal to history, predominately the act of ‘interposition’ as just protections applied by just protectors against despotism, whether it be a Monarchy, Democracy or Republic, joins up with Muehlenberg’s argument.

Samson’s chapter is a fine read. In it pushes towards the conclusion that COVID-19 counter-measures were blurring, if not being used to abolish a separation of powers by merging the judicial, executive and legislative tiers into one politically aligned body.

William Wagner later calls this: ‘Governance by Decree.’

For Wagner COVID-19 reveals an erosion of fundamental rights as granted by foundational laws. ‘Decades of judicial activism diabolically evolve constitutional law, enabling State Governments to justify their infringements, emboldening them to govern despotically.’ Consequently, we see ‘an activist judiciary enabling Executive tyranny’ (p.351)

Wagner amplifies Samson’s,

 ‘which will prevail: politics – the art of persuasion and consensus-building – or despotism – the coercion of surrender and acquiescence? ‘days of reckoning are upon us.’ (p.338)

In sum, Fundamental Rights in the Age of COVID-19 asks and seeks to answer two main questions from a Classical Liberal perspective:

  1. Where are the sunset clauses for Totalitarian anti-Covid-19 measures?
  2. Why are our politicians not standing up for the protection of civil liberties, with as much gusto as they are protecting people from a pandemic?

There are syntax errors and some spelling issues, making the exceptional body of work look rushed.

I also think the limited number of references engaging with leftist academics might work against the book; opening it up to asinine accusations of confirmation bias. The Spectator and The Australian are linked to frequently.

Overall, Zimmermann and Forrester’s book is a readable compendium, full of uncomfortable truths that we need to adjust our ears to hear.

The slack approach from politicians in protecting civil liberties; the ease at which people have been willing to hand over total control to Government, not just without question, but with thunderous applause, lets an unelected bureaucratic caste lead our us, and our elected representatives around by the nose. We shouldn’t be letting such apathy and compromise slide.

COVID-19 prohibitions on fundamental rights are an atrocious betrayal of constitutional protections.

This isn’t justice and liberty. It’s fascism proper – make-up on a muddy pig.

In the words of Anglican theologian John Stott,

‘…the one thing a totalitarian regime cannot endure is to be refused the total allegiance which it coverts.’ [iii]

*Fundamental Rights in the Age of COVID-19 is currently available via Connor Court Publishing or Amazon/AU.

References:

[i] This ‘abdication’ is also evidenced by how the ‘Australian government ignore[d] world’s best practice, that of Taiwan, which was available at the time when relevant decisions were being taken’ (p.79). Reasons for this might include the fact that the CCP has ‘long made it clear that Taiwan is to be treated like a pariah’ (p.80).

[ii] In sum, “never waste a crisis” can be translated: disaster porn is a drug and they know how to use it.

[iii] Stott, J. 1992, Contemporary Christian, Christ & His Cross (p.67)

First published on Caldron Pool, 31st January, 2021.

©Rod Lampard, 2021.

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Review: Natasha Crain, Talking with Your Kids about God

April 12, 2019 — 1 Comment

Under the title ‘God, Life and the World around us’, I create my own theology and biblical studies lesson plans. From time to time, however, I’ll go looking for some “plug-and-play” material that’ll sharpen our deep study of the Bible and its relevance.

Natasha Crain’s, ‘Talking with Your Kids about God’ met this criterion and then some.  The book pads theology and biblical studies subjects by furthering an understanding of the Bible’s relevance to S.T.E.M and H.S.I.E. (Human Society and its Environment).

Crain’s book is a recount and exposition of her own unexpected engagement with the world of skeptics and atheists. Her research is compiled into thirty questions. Each question makes up a chapter, and each chapter presents the skeptics question juxtaposed next to answers from Atheists and Christians.

One of the key benefits about the layout of Natasha’s book is that it saves time. The layout and contents means no time is lost scrolling, filtering and processing the contents of forums dedicated to the dogma of atheism and the echo chambers of skeptics. Crain has done the ground work already.

Despite the absence of an index, the painstakingly thorough academic approach Crain takes with this book, particularly with referencing and citations, makes it one of the smartest, and well-presented resources, in the apologetics category that I’ve come across.

In a bold, conversational tone, Crain confronts difficult questions and “gotcha” accusations that are often raised against God, Christians and the Bible.  These range from simple passive aggressive anti-Christian statements often seen on memes, the mockery of The Church of the ‘Flying Spaghetti Monster (FSM)’ and the more complex theory of Evolution.

Each chapter addresses the false dichotomy between faith and science.

Crain achieves this by sectioning the book up into five parts in order of importance:

Part 1: The Existence of God.

Part 2: Science & God.

Part 3: The Nature of God.

Part 4: Believing in God

Part 5: The Difference God Makes.

Following the theme of each section, each chapter ends with its own set of unique summary points and conversation guides, which open the chapter up for discussion and application.

Although Crain encourages just using the summary points, and the conversation guide to spark conversations about the topics raised, the book works best when the entire chapter is first read out loud.

I tried to follow the suggested teaching format, but found that noting key points and quotations on the whiteboard, as we went along, worked best. I then had these points and quotations copied down in our Homeschoolers HSIE workbooks. The result was that our discussion began long before beginning the conversation guide. My kids also found this to be the most helpful approach.

The only problem I wrestled with when teaching ‘Talking with Your Kids about God’ was natural theology. After the first and second chapter, I nearly ditched the book, because like any good student of Karl Barth, any hint of desperate reliance on natural theology, as proof of the existence of God, is verboten; a straight-up Nein[!].

Such reliance is built on religion (humanity’s quest to reach or be God – Man’s ‘Towers of Babel’), not faith (humanity’s response to the Word God has already spoken, in both Covenant and in Jesus Christ).

This said. I’m glad I stuck with it. My initial caution was corrected. With Crain, I’d hoped to pad my own homeschool theology lessons, as part of S.T.E.M and H.S.I.E, with age appropriate material. Now that we’ve completed the book, I’m impressed with the format, and how Crain handles the heavy topics therein. Her work is balanced, informative and engaging. In fact, I’m that impressed, I picked up her first book, to teach from in a similar way.

Karl Barth once said that we ought to, “read the bible in one hand, with the newspaper in the other.”

The idea of studying the Bible and the news alongside each other pertains to the continuing relevance of the Bible, and the need to see man’s world, and word, in contrast to God’s revealed Word, and the world He so lovingly saved through it.

Crains’ book is an essential resource for mums and dads who want to help their children to cherish the free pursuit of knowledge, and its close relationship to the free pursuit of God.

References:

Crain, N. 2017 Talking with Your Kids about God, Baker Books Publishing

[Disclaimer: I received no remuneration for this review of any kind].

©Rod Lampard, 2019

In Homeschool, Homeschool Notes, Reviews
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Review: Hollywood & Hitler, Thomas Doherty

September 20, 2018 — 2 Comments

Thomas Doherty’s 2013 book, ‘Hollywood and Hitler: 1933-1939’, is a 373 page look into the past ideological make-up of Hollywood.

The book is well referenced, including both footnotes and a lengthy bibliography. The text flows chronologically and stands as essential reading for anyone studying, or wanting to know more about, both Hollywood’s reaction, and involvement, in Europe and America during the 1930’s.

Doherty paints a picture of the Hollywood scene, beginning with a basic introduction to the context and zeitgeist. What emerges is an insight into the things which divided and unified Hollywood. Avoiding a dreary run down of politics and economics, Doherty writes about a vibrant and diverse group of people, who, though continents apart and ideologically separated, forged an ardent opposition to Nazism and Fascism.

One of the main pillars of his book is Doherty’s exposition of the pro-active steps taken in order to counter the rise of anti-Semitism and Fascism. Opposition to Nazism from within the American film industry was an up-and-coming movement, which matured quickly after Hitler’s 1933 election to the Chancellery.

The movement wasn’t free of factionalism and fickle alliances. According to Doherty, shifting loyalties were brought about because of concerns raised with regards to the reach of Nazi propaganda and communism’s covert takeover of the Hollywood entertainment complex. Communists were involved in the Hollywood anti-Nazi League (HANL) movement. Consequently, some individuals within the movement became as much about quietly promoting Communism, as they did resisting Nazism. This narrowed diversity, as new factions split off and other groups, such as traditional Christians, were slowly purged from their place in the HANL movement. As Doherty shows, the biggest challenge for Communists was in maintaining a push towards Communist influence whilst keeping up the movement’s anti-Nazi; anti-Fascist agenda.

Doherty writes:

‘The Hollywood Anti-Nazi League’s rise, dominion and fall offer a case study in the merging of media and politics, celebrity status and social activism, and the ultimately irreconcilable marriage between starry-eyed liberalism and hard-nosed communism in the 1930s’ (p.100)

‘Hollywood & Hitler’ unpacks this subtle Communist overthrow of the Hollywood Anti-Nazi league. The primary factor for the ousting of Catholics and non-communists was the Spanish Civil war. As Doherty explains, the Spanish Civil had a complex political context. By proxy, Nazi Germany, Italy, and the Soviets were warring against each other.

The Spanish Civil war is a key feature under Doherty’s microscope. This is because it was the first conflict to be filmed, and shown to the public, close enough to real-time. Images flowed from the battlefront and were spilled out onto audiences through cinemas. The skills, process, procedure and art developed during these times, pioneered the way for film makers during World War Two.

Two compromises appear. First was the compromise of neutrality. Hollywood had a strong economic reason for working with the Germans and therefore a majority was against any boycotts of German goods[1]. Hollywood had to maintain neutrality wherever possible, in order to keep from directly enraging the Germans. Subsequently, Hollywood practiced a selective self-censorship of anything which displayed blatant opposition to the Nazis or Nazi ideology.

Second was a compromise of values and unity. One radical splinter of HANL, The Hollywood Popular Front, considered ‘neutrality the moral equivalent of lending aid and comfort to the enemy’ (p.161), such an extreme view alienated balanced reporters and compromised integrity. This was fueled further by a war between propaganda and ‘cinematic neutrality’ (p.171) over how the Spanish Civil war should be reported and retold[2].

Hollywood’s neutrality and its selective self-censorship[3] came under attack. Censorship and propaganda became the battlegrounds. Countering Nazi propaganda in films was an opportunity for the Popular Front to slip in Pro-Communist agitprop.  Simplifying the great length Doherty goes to in order to unpack this: there was an obvious tension between those who desired to push back against the evils of Nazism and those who wanted to do so by pushing the “virtues” of Communism. Not every member of NAHL was as starry-eyed about Communism as the Communists would have liked.

Doherty suggests that the ‘best explanation for the affinity of motion picture artists-actors and screenwriters [“Champaign communists”] especially-to an ideology counter to their economic self-interest [capitalism] was the respectful hearing according to them by the Communist Party of the USA. In Leninist doctrine[4], the artist stood among the vanguard elite, a cadre whose shining example would lead the benighted proletariat into the dawn of revolutionary enlightenment…the artist was the antenna of the revolutionary race-so much the better if he or she was a magnet for publicity and a donor with deep pockets.’ (p.114)

Doherty also points out the inconsistency of Hollywood’s Communists and their anti-Nazism. For example, the Soviet Molotov-Ribbentrop-pact with the Nazis caused the Communists in Hollywood to double-down on their anti-Nazi rhetoric. This dilemma didn’t just reveal the façade that hid Communism, but how (with a few exceptions) self-serving their loyalty to the anti-Nazi cause was.

For better or worse, the Hollywood anti-Nazi movement, birthed (the now common) political celebrity[5]. The success of pushing support for ideas and consumer products through well-known and trusted, voices and faces, became common practice. Even if the celebrity didn’t know much about what they were selling, the opportunity to do so was as risky as it was potentially lucrative[6].

In Doherty’s words, HANL resorted to reaching the masses using ‘the same “hypodermic needle” theory of mass communications propounded by Joseph Goebbels: Inject the message into a mass consciousness through repetition, simplicity, and raw emotion.’ (2013, p.106)

The process this followed was to ‘first, gain the individual’s sympathy for what he is about to learn and second, present the material in a way which reaches his or her personal interest and at the same time supplies the necessary facts to sustain the first emotional reaction.’ (ibid)

It wasn’t until later on that Hollywood gained enough room to move on to directly producing films that had an anti-Nazi theme. Worth noting is Doherty’s point on how far Hollywood has shifted since the 1930s. The industry reluctant to criticize Nazism, has built a thriving business[7] on Nazis as the arch-nemesis of all that is good, (and for good reason!).

The Nazis, in the moral universe of Hollywood are the equivalent of pure evil, ‘the Nazi-centric documentary and narrative feature film is cultural currency –rarely dropping in value, always a good investment’ (2013, p.371).

It’s curious, however, that Nazism’s not so distant cousin, Communism, moving freely behind the anti-Nazi platform[8], has largely been given a free ride.

Perhaps this is why Doherty concludes that,

‘The American Communists had never thought of the movie capital as a party mint, but Otto Katz (a communist agent) corrected the oversight. Theodore Draper, the historian of American communism who observed Katz work his magic, described him as “the international Communist huckster par excellence”…Katz sold communism to the wealthy Hollywood magnates by working on their bad social consciences until they were cringing with contrition. The complete religious and metaphysical desert in the mind of many in the motion picture colony made Katz’s game easier’ (pp.103-104).

‘Hollywood & Hitler’ is balanced and tactful. Doherty draws from a depth of well researched information, and has taken pains to avoid any statements that would lead to the charge of McCarthyism. While Doherty addresses the positive points surrounding the anti-Nazi/anti-fascist movement in Hollywood, he doesn’t gloss over the negatives. ‘Hollywood & Hitler’ is well written, surprising in its relevance and enjoyable to read.

With the increasing visibility of celebrity activists, voicing opinion after opinion against things that Hollywood dislikes and distances itself from, the facts presented by Doherty, prompt the reader to question whether Hollywood has become what it once took a firm stand against. Jim Carry’s recent supportive statements in favour of Socialism, and every Hollywood award ceremony since 2016 being saturated in irrational, venomous hatred for one of their own, American President, Donald Trump, (et.al) force the question: has the institution, which once valiantly fought the dragon, become one?

Notes & References

[1] This was because, ‘American Jews in the motion picture business warned that any boycott of German imports would only rebound to the grief of their kinsmen overseas.’ (p.179)

[2] ‘Like the rest of the Spanish Civil war documentaries, it was less a recruiting device for new converts than a ritual; exhibition for true believers’ (p.171) #greatquote

[3] From both Catholic and Jewish sections of the Entertainment community, see footnote #2 and Doherty’s discussion on the National League of Decency, pp.154 & 155: ‘the watchful eye of the Legion fell increasingly on any glimmer of communist influence in Hollywood Cinema.’

[4] The same is with Nazism. Doherty: ‘Unlike  the American government, whose policy toward creative expression was mainly benign neglect, the Nazis honored intellectuals and artists as avatars of Aryan culture…Talented filmmakers of good stock and reliable opinion were pampered; the rest were persecuted.’ (p.197)

[5] ‘In casting actors as activists, HANL was a farsighted pioneer.’ (p.113)

[6] This may be backfiring on Hollywood, where people, in a technological age start to see through the veneers and question why, who is selling what to whom.

[7] ‘In the digital age, the collection and repackaging of images of the Nazis remains a growth industry, sustaining documentary features, action films, and cable channels.’ (p.371)

[8] The Communist beachhead in Hollywood caused a split it, which created the far-left’s Popular Front, and the Catholic, National League of Decency (formed in 1934).

Doherty, T. 2013 Hollywood & Hitler: 1933-1939 Columbia University Press

Image credit: Columbia University Press

©Rod Lampard, 2018

Disclaimer: I received no remuneration of any kind for providing this review.

In History, Hollywood, Reviews , , , , , , ,
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Three Criticisms of Karl Barth

September 6, 2018 — 3 Comments

Karl Barth is viewed by many as being one of the 20th Century’s most important theologians.The chief reason for this is the renewed focus on Jesus Christ that he brought back into all aspects of theology. Barth’s approach to Jesus Christ and the Bible, involved letting Jesus Christ and the Bible approach him. He “let the Bible speak for itself.”

I see a great deal of humility and joy in that approach. Not only do I aim to savour every bit of time I set aside to read Barth, I aim to let Barth’s approach to theology be an example, which I can borrow from in my own journey towards an ever maturing theological education.

So it’s with some reluctance that I outline and seek to explain my three core criticisms of Karl Barth. From the outset it’s important to point out that these criticisms are not in regards to persevered contradictions in his theological conclusions. The goal here is to work from the ground up, covering aspects of his work which provide certain difficulties for his students today.

My first criticism of Karl Barth is his extramarital affair with his secretary and primary researcher, Charlotte Von Kirschbaum.  Second is his reluctance to criticise the brutal nature of Communism and third is the question about whether Barth did enough to avoid his work descending into a closed community; a kind of pious and esoteric, Barthian social club.

My first criticism is straight forward. Barth found himself between two loving women, but he crossed lines. This was something his family was silent about, until recently, when they opened up access to correspondence between Karl, Nelly (Karl Barth’s wife and mother to his five children) and Charlotte (his secretary/fellow researcher and theologian in her own right). Up until this time, Barth’s extramarital affair had been quietly mentioned by biographers, but was always footnoted as conjecture.

The positive take away from their letters is that they show Nelly Barth, hurt, but still shining the light of Christ through her reactions and responses. Nelly presents an example of resilience, determination and faith in difficult and trying circumstances.

In addition, Karl Barth wrestled with his situation and choices. He never publicly boasted about his relationship with Charlotte. The extramarital relationship reminds us that Karl Barth was just a man. He was susceptible to the same issues as every other man, no matter how great they are. As others have pointed out, his own theology speaks it’s own criticism of his decisions. He wrestled within himself and with his own theology. Any accusation Barth used his theology to justify his spousal abuse is inconsistent with what is encountered in Barth’s words and work. What we encounter is a man who was constantly confronted by the contradiction between his own theology and the consequences that stemmed from the decisions he made. None of this, however, removes Karl Barth from being accountable for engaging in a relationship that he would have known was a betrayal of his wife, Nelly.

My second criticism is not so straight forward. Barth was an outspoken anti-Nazi theologian. So much so that he was deported from Germany for refusing to take the Hitler oath, unless changes were made, whereby the ideology and its leader were not deified. Unfortunately, when it came to Communism, Barth refused to show the same fierce consistency. He is silent about Marxist killing fields in Asia, and about its oppressive totalitarian rule in Eastern Europe.

Two possible reasons exist for this. Reason number one was Barth’s age and circumstances. He wasn’t in the position he was in when living in Nazi Germany; being a lot older he probably considered the fight against Communist terror to be well covered and didn’t want to lend support to an ever-increasing hysteria or phobia of the Russian people. If that protest is well established and achieving its goals, why add your voice to the “howling of wolves”? To do so would have been more about self-promotion, than promoting awareness about the suffering of others.

Reason number two is the possibility that Barth figured his theological statements and work, would stand for itself as a restrained critique of Marxism. In view of Church Dogmatics 3:2, it’s probable that Barth saw his theology, particularly his “Nein” to natural theology, as being also an inherent nein to Marxism. Barth’s anthropological theology in 3:2 contains a subtle rejection of Marxism’s deification of class war, social division, the state, subjugation of theology (into the service of an ideology), the reign of terror and potential global reign of terror attached to it.

One example of many is this statement which is contra to Marxist historical materialism/determinism:

‘Man & woman’s historical determination is that God wills to be with them and they with God.’
(Karl Barth, CD. 3:2:427)

It’s naïve to suggest that Barth was simply ignorant of the oppression and violence faced by those living under Marxist rule. Just as naïve would be the assumption that Barth did know, but simply brushed it off as a “capitalist conspiracy.” While it’s possible that Barth took the same approach as the French Communists in their denial of Gulags, purges and the fear of the Cheka, it’s unlikely that Barth was so deliberately dismissive.

Equally unlikely is the implication which stems from this, that suggests Barth was dedicated to protecting a political party and its toxic ideological platform. Although Barth refusing to ”howl with the wolves”, was him simply refusing to add to the hysteria of the mob, his absence from genuine criticisms of the crimes of communism is inconsistent with his stand against Nazism.

My third criticism is split between Barth and his students. On Barth’s side, there’s an effort to detach himself from becoming an idol, but did he do enough to avoid people reading his work before the Bible? On the student’s side there’s a tendency to idolise Barth and turn his theology into a rigid systematic method; or support a rigid oppressive system[1], rather than view Barth’s theology as a helpful travelling companion[2].

Trying to grasp Barth’s theology is like to trying to hold water in cupped hands. The water can’t be easily grasped, and is even harder to hold. This lends itself to explain the problem when people try to build their own systems around Barth’s theology. The biggest example of this is found in what I would call a pompous, Barthian Gnosticism.

Whilst this definition is not definitive, it’s the best description I can find for the closed community, which has built up a dam like castle from which ordinary people are prevented access. Barth is only reachable for an elect few. Everyone else is doomed to hearing Barth through their lens, or the lens of their choosing. Consequently, we hear more from theological journalists, than we hear from Barth.

Whether intended or not, there are ‘towers of Babel’ built up around Barth[3]. Like the not so easy to grasp Church Dogmatics, it’s difficult to contribute or participate in a Barthian realm. The tower is defended by those who often proudly identify ideologically as “Leftists or progressives”.Some of whom are are “privileged”, Ivy League scholars, who tend to blurr the line between Karl Barth and Karl Marx; as they take to the perch of Marxism to preach a kind of Barthian social gospel[4]. Anyone with a different view is viewed as a threat, and the offender is subsequently dealt with.

Hence the pompous Gnostic nature of the closed community, they only let in those who choose to conform to the agreed upon special knowledge they might claim to have found in Barthian theology, or become subservient to the prevailing ideology that is built up around it. For this elect few, knowledge of Karl Barth is special, and only available to those deemed worthy of being able to hold it. Therefore it’s perceived to be a given that a conservative cannot be a Barthian, but a Barthian must be a progressive or a socialist[5].

The Socialist hold on Karl Barth comes from the fact that he was a member of the Social Democrats. Another part of this socialist hold on Karl Barth is that he was called the “Red Pastor” during his ten-year tenure as Pastor in Safenwil. However, he wasn’t a sold out fan. He distanced himself from the rhetoric and movement[6]; and “Red Pastor” was fed partly by suspicion, partly by frustration, but is mostly sarcasm. This is to be taken more cum grano salis, than as a literal description of Karl Barth’s political and ideological allegiances. The title “Red Pastor”, to my knowledge, was a title that Barth never wore with pride, let alone promoted or wanted promoted.

Herein rests the crux of my criticism. If this socialist cementing of Karl Barth as a Marxist hero goes unanswered, he will become more unreachable for the average lay person. The closed community that surrounds Barth is under lock and key. Like the hysterical hounding[7] which surrounded Eric Metaxas’ biography of Dietrich Bonhoeffer, access to Barth would be denied to the “working class”.  Metaxas, a conservative, entered a modern liberal world, and invited the masses to hear about an important historical figure. It was more Metaxas’ conservatism than the content of his book, which led largely left leaning academics to reject it. It seems that only those with permission from Leftist academics, and who can prove that they have the “correct” political leanings, can comment on or write about subjects that Leftist academics think they own, or have been granted a kind of divine special knowledge about.

There are a few exceptions to the rule, but this similar lens is applied to Barth. His works and words are encapsulated in a kind of sacred Leftist packaging. Everything which differs from the political narrative built up and forced onto Barth is downplayed, mocked or rejected.The perpetual Marxist war between an “us & them” ejects conciliation, as it propels the elect few into rejecting-without-just-cause all opposing viewpoints from anyone outside the socialist paradigm. Without examination, opposing viewpoints are met with suspicion written off as tainted, ignorant or worse. The exceptions to this include some of the more balanced aspects of Princeton’s Centre for Barth Studies, authors such as John Webster, Daniel Migliore, Ebherhard Busch, Frank Jehle, and the Social Media site Karl Barth for Dummies.

The impression I received when trying to engage in the Barth community is that the elect few read Barth, and cheer others on, as long as the material justifies their own ideological positions. They take ownership of Barth and become guardians of a mythos[8] that the closed community has built around him and his theology. This is something Barth refused to cede to the conservative evangelicals of his day. I believe he would be of the same mind, with regards to socialists and progressives today.

In conclusion, it was with some reluctance that I set out to explain three core criticisms of Karl Barth. These criticisms are core concerns that function as a guide post on how to navigate a community closed to foreigners[9] and theological orphans. These three criticisms include the disconnection between parts of Barth’s theology and his life choices. The sole example of this was Barth’s extramarital relationship with Charlotte Von Kirschbaum. Secondly, I made a point of criticism about his silence when it came to the crimes of communism and the suffering of those who live under its regimes. The third criticism is that Barth didn’t intend to create a Barthian school, and discouraged others from creating one, but unfortunately, his silence about communism seems to have worked against this goal. He might have refused to be owned by any faction[10], but a faction has risen in his name all the same. This shows that Barth was either too trusting or didn’t adequately anticipate the cult like movement that would use him, and his theology, to promote a utopian ideology responsible for the oppression, death and suffering of millions.

Notes & References:

[1] Examples include: moralism and Marxism (which is, in praxis, a form of moralism in and of itself)

[2] (Think of the jovial Friar Tuck, flawed Father Mulcahy and the gracious, but assertive paternal voice of Gandalf.)

[3] This is a tiresome subject and is wrought with holes. Nothing is clear cut, because there are overlaps. This said, for anyone looking to engage in the community of theologians who read Barth, they will come up against a closed community; one that resembles a pious and esoteric social club.

[4] I will agree that Barth uses a lot of the similar language of Marx. I would not agree that a person needs to be an expert on Marx, to properly understand Barth. Barth was a product of his age. This doesn’t mean his theology itself is written through the lens of Marxism – “us & them” – there is a clear difference. For Barth it’s “God & us” and the unbridgeable divide between proletariat and bourgeoisie in Marx, is for Barth the qualitative distinction “God is God and we are not”. Although other examples exist, the distinction made here between Marx and Barth could not be any clearer.

[5] I consider myself neither a conservative nor a progressive. I would only own the statement that I currently share in the concerns that conservatives have about the direction of Western society and everything in between.

[6] As in Barth refused to be a poster boy, much to the dismay and frustration of many who were Social Democrats.

[7] It’s interesting to note that this was before Trump was elected, but has the same ungracious “resistance” and hate attached to it.

[8] A set of assumptions and beliefs.

[9] Those who hold an opposing view or are seen as different and unacceptable because of their ideological/political leanings.

[10] Placing his profile, as some have done, on a red background next to the Bolshevik leader Lenin, and the like, can be nothing other than a brutal betrayal of Barth.

* ‘Bureaucracy is the encounter of the blind with those whom they treat as blind…It is not the man who works in the bureau, for to some extent we all have to do this, but the bureaucrat who is always inhuman.’ (CD. 3:2:252)

** ‘Those who try to fight the Gospel always make caricatures, and they are often forced to fight these caricatures. Nietzsche’s own (and not all that original), was to equate Christianity with Socialist teaching.’ (CD 3:2:242)

*** ‘Marxism with its exclusively economic view of human affairs and all the theoretical and practical consequences, is a violation of history which in its way is no less bad than [the social Darwinism] which Haeckel and his associates imposed on human nature.’ (CD:3:2:386-389)

**** ‘The New Testament does not look for an amelioration of present conditions or for an ideal state, but for the coming of the Lord – Maranatha.’ (CD.3:2:486-487)

**** ‘Man can owe no creature what he owes to God – himself in his totality. Nothing [created] can claim from humanity, servitude. When a created thing imposes this demand on man, and when man recognises the demand, we have nothing but the invalid claim of false gods. No created thing can substantiate the Creator’s right over [what and who He created].’ (CD.3:2:414)

**** ‘The Church must not allow itself to become dull, nor its services dark and gloomy. It must be claimed by, and proclaim, the Lordship of God in the kingdom of His dear Son rather than the lordship of the devil or capitalism or communism or human folly and wickedness in general.’ (CD 3:4:69)

Header image credit: Zulmaury Saavedra on Unsplash

©Rod Lampard, 2018

In Karl Barth, Political Theology, Politics, Reviews
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The Resurgence of Fascism; A Respone To Tim Costello & Johann Christoph Arnold

August 14, 2018 — Leave a comment

An article entitled ‘Will the bombing bring peace?’ authored by Johann Christoph Arnold, appeared on the Plough publishing blog feed on the 11th of September 2014.

Not long after that, Tim Costello, Uniting Church minister and CEO of World Vision Australia, authored a piece headlined: ‘Going to war no time for joy’

The general flow of both articles advocates a caveat that falls just short of a protest in favour of non-involvement in military action against the self-proclaimed and militaristic ‘Islamic State movement’.

I appreciated the authors caution and respect the underlying pacifism expressed by their concerns.

However, I found both articles disappointing to read.

Whilst written well, they seem reactionary, unnecessary and  out of touch with what the majority really think about this subject.

No healthy individual or civilised community wants war. At the same time, Christians don’t have to walk around blindly ignoring the true nature of a clear and determined enemy, all in the name of peace. Particularly an enemy, such as I.S (Islamic State) who has already proven their hostile intentions towards Christians, Jews and the West in general.

Costello and Arnold’s historical comparisons are fair. However, I’m yet to see the same euphoria that was exhibited prior to World War one, in responses to the West’s involvement in this war against I.S.

What is of immediate concern is the shock and disillusionment at the continued allegiance of the pulpit with what can only be called a resurgence of ‘positive Christianity’. (Seen in the alignment of the pulpit with excessive political correctness, supported by a Gospel that has been emptied of its true content.)[i] Where Costello is wrong is not only in his assumptions about people celebrating war, but also his inability to see the compromise and surrender of theology into the service of ideology.

People aren’t celebrating the West going to War against I.S. In fact the biggest enemy at the moment is complacency and indifference in the face of a determined enemy. An enemy determined to make an enemy of the West and destroy all who show any form of dissent or opposition.

Warnings against complacency and indifference come at us from different historical voices. One of the strongest comes from pacifist and evolutionary biologist, Vernon Kellogg. His observations of the Germans and their adherence to ideology during World War One, demonstrates the need to take action in the face of a socio-political ideology determined to make itself lord of all:

‘For their point of view does not permit of a live-and-let-live kind of carrying on. It is a point of view that justifies itself by a whole-hearted acceptance of the worst of Neo-Darwinism [social Darwinism], the Allmacht of natural selection applied rigorously to human life and society and Kultur…I was never convinced. That is, never convinced that for the good of the world the Germans should win this war, completely and terribly.And this conviction, thus gained, meant the conversion of a pacifist to an ardent supporter, not of War, but of this war; of fighting this war to a definitive end.’
(Headquarters Nights (1917:23).

When conflict is imposed on us, a good percentage of the time it will mean being drawn into a position where most just “push backs” are twisted. They are then used by aggressors, and spectators alike, as evidence of a ‘disproportionate’, ‘inappropriate’ and unethical response.

Enablers, enable abuse. They do so by their silence and discounting of the severity of evidence before their eyes. Enablers don’t want to get involved, because they either have something to gain or something to lose. Fear of retribution or loss of something personally profitable, trumps standing up for the truth.

Instances include Israel’s recent response to ideological belligerents in Gaza and the West. Israel had two fronts, Gaza and the internet. The Israeli defence force had to fight off a constant stream of misleading information that was circulating on social media.

In the case of Australia, our involvement, as the Prime Minister has made clear, is to assist in the defence and provision of humanitarian aid to innocent civilians. Australian involvement is not to make war for the sake of war.

In answer to Tim Costello and Johann Christoph Arnold: nobody wants a war outside those bringing war to us (and perhaps some extremist fringe dwellers that see this as an opportunity to further their own self interests).

An abysmal situation cannot be held back by passivity, apathy, a will-to-power, appeasement or a poorly informed soft diplomacy. 

Responsible action requires the restraint of faith in Christ, open communication, purpose, a unified team and the courage to dedicate a wide variety of resources to neutralise blatant threats to the innocent.

The old challenges of socialist-fascist imperialism, with its deification of men, society and sin, and the new masks it wears, must be answered. The end and actions must not be driven by an apathy, that thrives on the selective protests and permissions of the lords of neo-tolerance.

With regards to the crisis in Iraq and Syria, “just war” advocates do not have to dig very deep to make their case. The basics of which are expressed, in the often quoted statement made by Kennedy who said: ‘Those who make peaceful revolution impossible will make violent revolution inevitable.’

The atmosphere which surrounds us, illustrates the need for a firm, restrained response. I don’t think that it’s a stretch to say that the world is seeing the resurgence of fascism. When we witness mass rallies and violence under flags with White script on Black fabric in the East, and rainbow flags that are paraded, in the name of pride down main streets in the West, what we are witnessing is the rise of fascism proper.

Under one there is war, gaol for dissidents and beheadings. Under the other, there is indoctrination, re-education classes, and law suits against anyone who dare to stand by valid opposing view.  

If, as Costello implies, there is any joy being taken in belligerency, we would do well to start our investigation there.

There is no doubt that the path ahead is treacherous. There is no room for belligerency from the pulpit, whether that be in support of Left or Right ideological platforms, but what cannot be forgotten is:

‘…personal safety should not excuse[s] timidity in the pulpit’ [or podium]. 
“It is not that I and all the rest of us have said too much in our sermons, but rather that we have said far too little.”
(Paul Schneider) [ii]

If we completely follow along in agreement with Costello and Arnold, or with those who demand allegiance to their views without question, we, the Church may get to the point where laments like Schieder’s are common place once again.

It’s not at all that surprising to see parallels between the past and present.

The Abyss is opposed to love. Yet the Abyss and it’s agents frame themselves as being the very epitome of love.

So we stand in agreement with Ezekiel, Clement of Rome and Ambrose of Milan:

‘As I live, says the Lord, I take not pleasure in the death of the wicked, but rather [his correction]; that he should turn from his way and live’
(Ez.18:21-24)

But in doing so we also hear and act on the clear challenge of Clement:

‘Let us cleave, to those who cultivate peace with godliness, and not to those who hypocritically profess to desire it.’
(Clement, First Letter to the Corinthians, Chapter XV)

References (not otherwise linked):

[i] I am paraphrasing a statement made by Dean Stroud in ‘Preaching in the Shadow of Hitler’ (2013, p.8).

[ii] ‘Paul Schneider, the 1st Pastor to die in a Concentration camp, in a letter to his wife from his jail cell on Nov. 14, 1937 on Preaching in Nazi Germany’ – Stroud, D. 2013 Preaching in Hitler’s Shadow: Sermons of Resistance, Wm. B. Eerdmans Publishing Company, p.47

Photo credit: ‘Early 1960s. Before the construction of the Berlin Wall West German soldiers stare down the East after a young woman makes it across the line to the West.’ – Drive Thru History.

(Encore post. Originally posted Sep 21, 2014)

In Notes & Quotes, Political Theology, Reviews, Theological Reflection ,
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Be Like These People, Engage

August 2, 2018 — 1 Comment

My daughter, who has been homeschooled for the majority of her education, is doing her higher school certificate this year and she’s starting to feel the pressure. In fact, we all are. In passing one day, I randomly encouraged her to “be like Maverick and engage.” Understanding the context of the reference, she smiled back.

As I am known to do from time to time, I started to think a bit deeper about the meaning of those words.

At the end of Top Gun (1986), Maverick sits waiting as back-up. He’s in an F-14, waiting as “ready-five” or ”ready-alert“, things don’t go well for the team and he’s then called into the fight. Once he gets there, he wavers. At this point in time he has a choice whether to engage or disengage. He chooses to engage.

Another example from 1986 comes from the film ‘Iron Eagle‘. When retired Air Force Colonel, Chappy Sinclair chooses to engage with the rescue of a friend, who is being held as a P.O.W. Sinclair chooses to help his friend’s son pilot an F-16 into a war zone. His most memorable words were:

“God doesn’t give people talents that he doesn’t want people to use. And he gave you The Touch. It’s a power inside of you, down there where you keep your guts boy! It’s all you need to blast your way in and get back what they took from you.” (I.E, 1986)

Although Maverick (Pete Mitchell – Tom Cruise) and Chappy (Louis Gossett Jr.) are fictional characters, there are sound examples throughout history of men and women, who were called into the fight.

One of those was Winston Churchill. At the age of 65, after many years of being dismissed for his warnings about the state of the world, he was called into the fight. He had the same choice as Maverick and Chappy. Engage or disengage. He chose to engage.

If you’re feeling the pressure today, and no doubt you will, because all of us do, remember these examples. Remember that God did not waver when He created you. He freely and decisively chose to engage in life with you, that you may freely and decisively engage in life with him.[i]

You have a God-given, grace enabled freedom, and you are called upon by God to live that out. Engage in life with Him through Jesus Christ, and engage in life with others. This freedom comes with responsibility; His grace confronts us with a choice. We choose daily, whether to invite God into our decisions, and be for others or for ourselves. That choice can be tough. Faith can be tough.

But we don’t put our faith in our circumstances. We don’t put our faith in faith. We put our faith in God, learning from that which He has given and anticipating where He will guide us, based on what He’s given and already done in the past for us. We have a history with God, even if we don’t want to acknowledge it. We are summoned to ‘trust in the Lord with all our heart, [to] lean not on our own understanding, [to] submit all things to Him, and he will make our paths straight.’ (Proverbs 3:5-6).

One of the other great historical examples comes from theologian, Dietrich Bonhoeffer. He reminds us of the choice to engage, while when in a Nazi prison, he wrote:

‘In me it is dark, but with you there is light.
I am lonely, but you do not abandon me.
I am faint-hearted, but from you comes my help.
I am restless, but with you is peace.
In me is bitterness, but with you is patience.
I do not understand your ways, but you know the right way for me.’ [ii]

 

So whatever we might meet in the coming day, be like Maverick and engage. Be like Churchill and engage. Be like Bonhoeffer and engage. Ultimately, be like Christ and engage. Stand with Christ and engage. They could have chosen differently, refused the fight, and disengaged entirely, but they chose not to. As a result, we are confronted by their example.

de Vivre Selon Dieu

References:

[i] In this statement, I’m drawing from Karl Barth.

[ii] Bonhoeffer, D. BDW:8, Letters & Papers From Prison, Fortress Press (p.195)

Image: Iron Eagle,  Sidney J. Furie, Tri-Star Pictures, 1986 (Use of this image is considered to be within the boundaries of fair use, given that the image is applied here, for the use of teaching, and comment in a not-for-profit context, and it contains clear credit and promotion of the film as a whole.)

In Art and Theology, Dietrich Bonhoeffer, Reviews , , , , ,
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Review: ‘Man In The Iron Mask’, Alexandre Dumas

July 3, 2018 — 7 Comments

Guest post by A. Lampard.

“The Man in the Iron Mask,” by Alexandre Dumas, is a continuation of Dumas’ classic, “The Three Musketeers.” The story takes place in France, where the three musketeers have retired, and d’Artagnon remains in his majesty’s service. Unknown to d’artagnon, his two friends, Aramis and Porthos, seek to remove the current king of France, Louis XIV, and put his twin brother, Philip, on the throne. While the plot is underway, d’Artagnon must decide where his loyalty lies: with his most trusted friends or his King. Dumas’ use of heartbreak, loyalty and conflict in “The Man in the Iron Mask” creates a narrative that fascinates the reader, but ultimately leaves them hanging.

The “The Man in the Iron Mask,” has gaps in its storyline. The first gap consists in Raoul’s (Monsieur de Bragelonne and son of Athos) heartbreak.[i] Raoul’s fiancée, Mademoiselle de La Valliere, appears to have fallen in love with Louis XIV, and him with her. Raoul’s lover seems to have then left him for the corrupt king, leaving the young man drowning in depression and heartache. The result of this action causes Raoul to long for death, however his overall role in the narrative is unclear and mostly unresolved.

The second gap, concerns the futures of Monsieur Fouquet and (particularly) the prisoner, Philip. Fouquet’s role is mentioned once in the epilogue long after his being captured. However, his role is not spoken of again. Philip is not mentioned or acknowledged in the book after his arrest. His future seems to imply that he will continue to be mistreated and left to rot in prison. Unfortunately, a drastic plot twist causes him to be arrested, which dulls down the intrigue of the story. The outcome of their fates is anything but complete, as information concerning their futures is left out, and the story ends.

Porthos’ death was the worst part of the book. One of the most painful experiences in “The Man in the Iron Mask” is his death. Porthos’ death removes a boisterous cheerfulness that brightened the story.  Good Porthos’ kind heart and humor banished the dark atmosphere of the book. After “the Death of a Titan”[ii] (as Dumas put it) the story seems overly burdened by its incessant despair and gloom.

“The Man in the Iron Mask” is not as much a swashbuckling narrative as “The Three Musketeers.”  The themes constantly present in the story are despair and sadness, which contrast deeply with its predecessor. “The Three Musketeers” is an incredible story full of danger, intrigue, and drama, leaving the reader enchanted. The same cannot be said of “The Man in the Iron Mask.” The plot of this story isn’t nearly as adventurous or mysterious as one would hope, leaving the reader to wonder about the ending.

The lack of swashbuckling heroism and adventure, which was constantly present throughout “The Three Musketeers,” was disappointing. Despite this, “The Man in the Iron Mask” did have some good parts. For example, when two hundred men heard they were fighting two of the legendary, four musketeers,  and were struck with both terror and enthusiasm. The dull story-line isn’t affected by this though, which still leaves the reader in confusion about how Dumas ends his story.

In conclusion, “The Man in the Iron Mask” is often tedious, dull, and leaves the reader hanging. Unnecessary changes throughout it slow down the story. There are frustrating gaps in the story-line, such as: Philip and Fouquet’s futures, and what Raoul’s overall role in the story was. In addition to these gaps, there is the death of Porthos, which causes all humour to disappear from the book. Dumas seems to have lost his flair for the adventure and boisterous, in “The Man in the Iron Mask” he isn’t at his best.

 

Notes:

[i]  Please note that I have only read ‘The Three Musketeers’ and ‘The Man in the Iron Mask.’

[ii] “The Man in the Iron Mask,” Chapter 50 (‘The Death of a Titan’) – Dumas calls Porthos a ‘Titan.’

(Disclaimer: no remuneration of any kind was received for this review.)

In Art, Homeschool, Reviews ,
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