Amazon’s ‘Jack Ryan’ is a fresh creative take on Tom Clancy’s, ‘Jack Ryan’ brand. The story has a standard structure. The plot is revealed as characters move from one crisis to the next. Each episode adds to the next, leading to the narrative’s conclusion.
Casting was on point. Actor John Krasinski (Jack Ryan) plays alongside Australian actress, Abbie Cornish (Doctor Cathy Mueller who takes up a “casual” romantic relationship with Ryan). Wendell Pierce (Robert Zane in ‘Suits’) plays the role of James Greer. All three add to the series and its fresh creative take on Tom Clancy’s, ‘Jack Ryan’ brand. Amazon has been consistent in the temperaments of key personalities, making a deliberate emphasis on Ryan’s, Sherlock-like, ability to see what others don’t, his by-the-book-ethic, and the sage-know-to-pick-your-battles no nonsense Greer.
While Jack Ryan is still a CIA analyst, he’s only an entry level desk jockey. The witty discourse and gracious tension between Ryan and James Greer, has been retained. However, there’s a big difference in tone and the nature of each character’s back story. James Greer is no longer an Admiral. He is fluent in Arabic, and is a backslidden Muslim (he converted to Islam in order to marry his now estranged wife). In addition, Jack Ryan is a scar ridden Marine vet, who wrestles with post traumatic stress and deep regret.
One of the most interesting themes raised within the series is the use of drones against belligerent Islamists. Through a subplot the script writers insert an introspective narrative that is isolated from the main storyline. This subplot explores the relationship and impact of drone strikes on pilots, and their targets. The subplot screenplay is exaggerated in order to make a point. Nevertheless, it presents an interesting talking point about the cost and justification for drone warfare; the unpredictable presence of drones and how that compares to the unpredictable presence of suicide bombers. The threat of a drone attack, anywhere and everywhere, might be a necessary deterrent to people who make the West their enemy[1].
One of the most noticeable aspects of Amazon’s ‘Jack Ryan’ series is the transformation of James Greer. Greer has been politically sanitized. Rewriting Greer as a convert to Islam and removing him from his key role in the United States Navy “liberates” him from the American military industrial complex. Add to this the noticeable anti-American statements in the dialogue of both protagonists and antagonists; the anti-American lens is visible and provocative. The take away impression is that Greer is a disgruntled CIA officer, who’s patriotism is first to himself, and secondly to Islam.
While many may applaud the subtle promotion of Islam as “the religion of peace”, some may take issue with how the screenwriters have not just demoted, but removed a beloved African-American character from his position in Ryan lore. Greer, no longer being an Admiral, is one of the major drawbacks of the series, and is, in my opinion, a serious flaw in the redesigning of the ‘Jack Ryan’ universe. Though, Wendell Pierce plays Greer well, his task isn’t easy. Greer has been robbed of his cautious patriotism, pro-American dedication and high position of authority, as drawn out by James Earl Jones in ‘Hunt for Red October’, ‘Patriot Games’ and ‘Clear & Present Danger’.
The less generous and more astute Western viewer wouldn’t be entirely wrong to see Amazon’s remake as outright propaganda against an alleged Islamophobia in the West. If standing against fundamentalism and prejudice was one the hidden aims of the ‘Jack Ryan’ series, this revision of Greer raises questions about what Amazon was thinking when it decided on fundamentally changing James Greer. If “racism” was a core issue being discussed, why was an African-American character removed from his privileged and respected position within the ‘Jack Ryan’ universe? Was Tom Clancy’s, Greer not worthy enough, or simply not minority enough?[2]
On the whole, Amazon Prime’s ‘Jack Ryan’ has the makings of a decent series. The cast is on point and the crux of Clancy’s brand remains intact. The storyline is engaging and for the more discerning, the ideological lens can be easily filtered out. Audiences are patient and will be generous in how the series takes Greer from a sharp minded naval veteran and Western patriot to a conflicted, weary American, who is committed to himself first and Islam second. Unfortunately, the compromises and revisionism may sabotage the shows future as it further alienates an audience, already growing tired of being bullied and misrepresented by Hollywood. An audience fed up with being force-fed conformism, through Hollywood’s self-styled piety, anti-Trumpism, appeasement of modern liberalism, and the sugar-coated half-truths and lies which tend to go along with it.
Furthermore Amazon’s ‘Jack Ryan’ seems to provide further proof that parts of the West are funding their own cultural suicide[3]. The series tip toes around serious concerns of many in the West. 
This is displayed in one episode, when those concerns are dismissed and discounted as “racism” by Greer. It’s for this reason that season one comes across as apologetic towards Islam, and in parts, hostile towards the West. The series stumbles drunkenly between speaking truthfully about Islam and promoting popular myths, such as perpetuating the idea that Islam is a race, that Islam is completely compatible with healthy Western values, that Islam is “the religion of peace”, and that the fault with Islam lies with fundamentalists (both external and internal), who are out to taint, abuse or misuse its ideology.
I’m keen for the next series, love the cast, but was disappointed and frustrated at what can only be described as Amazon’s (if not the screen writer’s) own strange case of Stockholm syndrome. While the crux of Clancy’s brand remains intact, Tom Clancy’s, ‘Jack Ryan’ has been rebranded by Amazon to be more palate worthy to an oppressive politically correct culture. Season one is pro-Islam, and in parts anti-American. It’s narrative and dialogue may only alienate a large majority of Clancy’s fan, forcing them to tune out and become entrenched in the very thing the show’s creators may have been trying to address. Season two looks set to involve Russia. Given the political climate in Hollywood since November, 2016, one can only hope that when it comes to the screen play, plot and storyline, cooler heads will prevail.
Notes:
[1] Just as society doesn’t know where or when a fifth column of Islamists might blow themselves or others up, Islamists don’t know where a drone will pop up next to them
[2] Has Amazon sold James Greer off; using the character to sell an idea of Islam that differs from the reality?
[3] Season one comes across as too anti-American. The screenwriters seem to have done their best to be sympathetic towards Islam, for fear of offending Muslims, while being inconsiderate of its Western audience. Islam is treated like a victim of oppression from fundamentalists[3] in the West and fundamentalists within its own ranks. There’s an impression that the screen writers are seeking to lull people into a false sense of security in its pointless attempt to separate political Islam and Islamic ideology from “the religion of peace”.
Karl Barth and Roger Scruton make unlikely conversation partners. Barth, was a Reformed Swiss theologian, who held up the distinction between theology and philosophy, and Scruton, is a British philosopher, talks theology, but knows his limits on the subject.
Some academic internet interlocutors recently tried to stick some historical parallels on Donald Trump and American Evangelicals. They were attempting to link the precedent set by the German Christian movement and its support for Hitler, to that of American Christians and their support for Trump.
